Augmented Expression
Interactive Build
I thought that this principle was challenging, when we started with this principle I didnt quite grasp what this idea included, but after attempting it through improvisation and then moving onto creating work it seemed to make a little more sense, but not as much. I think it was quite difficult to create a build/climax with through interaction with my digital self not because of the digital aspect but because of the digital double was performing an improvisation which in my experience tends not to climax. When it came down to it, I think that working with the slower projection seemed easier to build upon than the fast, as with the fast by the time you had built upon a sequence, it had moved onto the next section and what I had just worked on last all its intensity.
Aesthetic Harmony
1st principle – connected kinetics
I found this weeks tasks quite difficult, We had too perform beside our digital double which was being projected onto the wall. I found this quite difficult because the projected version of myself was very unpredictable to perform against. I felt that this was difficult because we had to control the projection and that was rather a challenge the projection was 2D and erratic.
Once we were able to stop and start the recordings and create with the piece, rather than against it, the entire scenario became a lot easier. However, once we were told that we had to use other body parts than our hands, creatively this became really interesting but phsycially it was very challenging.